[Bcma-l] Media Release Kamloops Art Gallery - Sculpture by Two of BC's Brightest

bcma-l@museumsassn.bc.ca bcma-l@museumsassn.bc.ca
Mon, 31 Mar 2008 15:11:19 -0800


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*MEDIA RELEASE* **

For immediate release from

Kamloops Art Gallery

March 26, 2008


* *

*Sculpture** by two of *

*BC's brightest*

Rhonda Weppler and Trevor Mahovsky

/Bricks and Flowers/, 2007

hydrocal on metal and foam armature, enamel paint

installation view, Pari Nadimi Gallery

 

The Kamloops Art Gallery is delighted to present the contemporary 
sculpture exhibition* Rhonda Weppler and Trevor Mahovsky, *which runs 
from March 30 to May 25, 2008. The exhibition is sponsored by Pollard 
Banknote Limited and the media sponsors are 98.3 CIFM and Off-Centre 
Magazine.

 

Rhonda Weppler and Trevor Mahovsky are a Vancouver-based artist-duo, and 
among the most exciting young artists to emerge in Canada in the last 
decade. Although they have been working together since only 2004, they 
have already exhibited their work extensively across the country and 
internationally, in Vancouver, Toronto, Halifax, Montreal, Nagoya, 
Berlin, Tokyo, Portland, and elsewhere. Sculptors Weppler and Mahovsky 
are known for the playful and unsettling ways they transform everyday 
objects, such as styrene coffee cups, tin cans, cars, pop bottles, and 
other hallmarks of the everyday. Their work, conflicted in its 
relationship to a world of things, draws from both minimalist and Pop 
histories, while displaying a distinctly contemporary critical 
conceptualism.

 

In their exhibition at the Kamloops Art Gallery, Weppler and Mahovsky 
present a new body of work called /Clutter Sculptures/, which is 
decidedly more "baroque" than their earlier, clean-lined /Stacked 
Objects/. Everyday items, such as bricks, bottles, and tires, are formed 
out of wire armatures, which are then slathered in plaster and 
enamelled. The sculptures appear to be drenched in glossy icing and 
thrown together into haphazard, candy-coloured jumbles. In the words of 
/Globe and Mail/ reviewer Gary Michael Dault, these sculptures "both 
attract (they are bright and toy-like) and repel (they are 
glandular-looking, as if they had been secreted rather than constructed)."

 

Along with the /Clutter Sculptures/, Weppler and Mahovsky present three 
large "collapsing" sculptures of expensive status objects: two tinfoil 
casts of a 1954 Buick Roadmaster, owned by Kamloops resident Ray Henry, 
and a black paper cast of a hearse. To make the car sculptures, the 
artists use sheets of regular tinfoil glued together to form large 
sheets, which are then wrapped carefully around a real car. The tinfoil 
"mould" is lifted off, and transported to the gallery, where, over the 
course of the exhibition, it slowly collapses under its own weight.

The exhibition is accompanied by a full-colour catalogue with an essay 
by local poet Susan Buis and an interview with the artists by KAG 
curator, Jen Budney.

 

Jen Budney will also lead Guided Curator's Tours of the exhibition on 
April 1, 15, 29, and May 13 from 12:05 to 12:50 pm; which are free with 
regular admission. 

 

- 30 -

 

Please direct all media inquiries to James Gordon, Marketing & 
Communications Coordinator, Kamloops Art Gallery, (250) 377-2403, or 
jgordon@kag.bc.ca

 

 

 

 

 

 

 

 


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<p class="MsoNormal"><b><font face="Arial" size="5"><span
 style="font-size: 18pt; font-family: Arial; font-weight: bold;">MEDIA
RELEASE</span></font></b><font face="Arial" size="4"><span
 style="font-size: 14pt; font-family: Arial;"> </span></font><b><font
 face="Arial" size="5"><span
 style="font-size: 18pt; font-family: Arial; font-weight: bold;"><o:p></o:p></span></font></b></p>
<p class="MsoNormal"><font face="Arial" size="4"><span
 style="font-size: 14pt; font-family: Arial;">For immediate release
from <o:p></o:p></span></font></p>
<p class="MsoNormal"><st1:place w:st="on"><st1:PlaceName w:st="on"><font
 face="Arial" size="4"><span
 style="font-size: 14pt; font-family: Arial;">Kamloops</span></font></st1:PlaceName><font
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 style="font-size: 14pt; font-family: Arial;"> <st1:PlaceName w:st="on">Art</st1:PlaceName>
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<p class="MsoNormal"><font color="black" face="Arial" size="4"><span
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2008<o:p></o:p></span></font></p>
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<p class="MsoNormal"><b><font color="black" face="Arial" size="5"><span
 style="font-size: 18pt; font-family: Arial; color: black; font-weight: bold;">Sculpture</span></font></b><b><font
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 style="font-size: 18pt; font-family: &quot;Avenir 55&quot;; font-weight: bold;">
by two of <o:p></o:p></span></font></b></p>
<b><font face="Avenir 55" size="5"><span
 style="font-size: 18pt; font-family: &quot;Avenir 55&quot;; font-weight: bold;">BC&#8217;s
brightest</span></font></b>
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<div class="Section1"><br>
<p class="MsoNormal"><font face="Arial" size="1"><span
 style="font-size: 8pt; font-family: Arial;">Rhonda Weppler and Trevor
Mahovsky<o:p></o:p></span></font></p>
<p class="MsoNormal"><i><font face="Arial" size="1"><span
 style="font-size: 8pt; font-family: Arial; font-style: italic;">Bricks
and Flowers</span></font></i><font face="Arial" size="1"><span
 style="font-size: 8pt; font-family: Arial;">, 2007 <o:p></o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="1"><span
 style="font-size: 8pt; font-family: Arial;">hydrocal on metal and foam
armature, enamel paint<o:p></o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="1"><span
 style="font-size: 8pt; font-family: Arial;">installation view, Pari
Nadimi Gallery</span></font><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;"><o:p></o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;"><o:p>&nbsp;</o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;">The <st1:place w:st="on"><st1:PlaceName
 w:st="on">Kamloops</st1:PlaceName> <st1:PlaceName w:st="on">Art</st1:PlaceName>
<st1:PlaceName w:st="on">Gallery</st1:PlaceName></st1:place>
is delighted to present the contemporary sculpture exhibition<b><span
 style="font-weight: bold;"> Rhonda Weppler and Trevor Mahovsky, </span></b>which
runs
from March 30 to May 25, 2008. The exhibition is sponsored by Pollard
Banknote
Limited and the media sponsors are 98.3 CIFM and Off-Centre Magazine. <o:p></o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;"><o:p>&nbsp;</o:p></span></font></p>
<p class="MsoNormal" style=""><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;">Rhonda Weppler and Trevor
Mahovsky
are a Vancouver-based artist-duo, and among the most exciting young
artists to
emerge in <st1:place w:st="on"><st1:country-region w:st="on">Canada</st1:country-region></st1:place>
in the last decade. Although they have been working together since only
2004,
they have already exhibited their work extensively across the country
and
internationally, in <st1:City w:st="on">Vancouver</st1:City>, <st1:City
 w:st="on">Toronto</st1:City>,
<st1:City w:st="on">Halifax</st1:City>, <st1:City w:st="on">Montreal</st1:City>,
<st1:City w:st="on">Nagoya</st1:City>, <st1:State w:st="on">Berlin</st1:State>,
<st1:City w:st="on">Tokyo</st1:City>, <st1:place w:st="on"><st1:City
 w:st="on">Portland</st1:City></st1:place>,
and elsewhere. Sculptors Weppler and Mahovsky are known for the playful
and
unsettling ways they transform everyday objects, such as styrene coffee
cups,
tin cans, cars, pop bottles, and other hallmarks of the everyday. Their
work,
conflicted in its relationship to a world of things, draws from both
minimalist
and Pop histories, while displaying a distinctly contemporary critical
conceptualism. <o:p></o:p></span></font></p>
<p class="MsoNormal" style=""><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;"><o:p>&nbsp;</o:p></span></font></p>
<p class="MsoNormal" style=""><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;">In their exhibition at
the <st1:place w:st="on"><st1:PlaceName w:st="on">Kamloops</st1:PlaceName>
<st1:PlaceName w:st="on">Art</st1:PlaceName> <st1:PlaceName w:st="on">Gallery</st1:PlaceName></st1:place>,
Weppler and Mahovsky present a new body of work called <i><span
 style="font-style: italic;">Clutter Sculptures</span></i>, which is
decidedly
more &#8220;baroque&#8221; than their earlier, clean-lined <i><span
 style="font-style: italic;">Stacked Objects</span></i>. Everyday
items, such as
bricks, bottles, and tires, are formed out of wire armatures, which are
then
slathered in plaster and enamelled. The sculptures appear to be
drenched in
glossy icing and thrown together into haphazard, candy-coloured
jumbles. In the
words of <i><span style="font-style: italic;">Globe and Mail</span></i>
reviewer
Gary Michael Dault, these sculptures &#8220;both attract (they are bright and
toy-like) and repel (they are glandular-looking, as if they had been
secreted
rather than constructed).&#8221; <o:p></o:p></span></font></p>
<p class="MsoNormal" style=""><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;"><o:p>&nbsp;</o:p></span></font></p>
<p class="MsoNormal" style=""><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;">Along with the <i><span
 style="font-style: italic;">Clutter Sculptures</span></i>, Weppler and
Mahovsky
present three large &#8220;collapsing&#8221; sculptures of expensive status
objects: two tinfoil casts of a 1954 Buick Roadmaster, owned by <st1:place
 w:st="on"><st1:City w:st="on">Kamloops</st1:City></st1:place> resident
Ray
Henry, and a black paper cast of a hearse. To make the car sculptures,
the
artists use sheets of regular tinfoil glued together to form large
sheets,
which are then wrapped carefully around a real car. The tinfoil
&#8220;mould&#8221; is lifted off, and transported to the gallery, where, over
the course of the exhibition, it slowly collapses under its own weight.
<o:p></o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;">The exhibition is
accompanied by a full-colour catalogue
with an essay by local poet Susan Buis and an interview with the
artists by KAG
curator, Jen Budney.<o:p></o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;"><o:p>&nbsp;</o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;">Jen Budney will also lead
Guided Curator&#8217;s <st1:place w:st="on"><st1:City w:st="on">Tours</st1:City></st1:place>
of the exhibition on
April 1, 15, 29, and May 13 from 12:05 to 12:50 pm; which are free with
regular
admission.&nbsp; <o:p></o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;"><o:p>&nbsp;</o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;">- 30 -<o:p></o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;"><o:p>&nbsp;</o:p></span></font></p>
<p class="MsoNormal"><font face="Arial" size="3"><span
 style="font-size: 12pt; font-family: Arial;">Please direct all media
inquiries to James Gordon, Marketing
&amp; Communications Coordinator, <st1:place w:st="on"><st1:PlaceName
 w:st="on">Kamloops</st1:PlaceName> <st1:PlaceName w:st="on">Art</st1:PlaceName>
<st1:PlaceName w:st="on">Gallery</st1:PlaceName></st1:place>,
(250) 377-2403, or <st1:PersonName w:st="on"><a class="moz-txt-link-abbreviated" href="mailto:jgordon@kag.bc.ca">jgordon@kag.bc.ca</a></st1:PersonName><o:p></o:p></span></font></p>
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 style="font-size: 13pt;"><o:p>&nbsp;</o:p></span></font></p>
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 style="font-size: 13pt;"><o:p>&nbsp;</o:p></span></font></p>
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