[BCMA] Curating Carnival: A Talk by Claire Tancons
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Subject: Curating Carnival: A Talk by Claire Tancons
Date: Wed, 9 Mar 2011 12:30:32 -0500
From: Western Front Society <exhibitions at front.bc.ca>
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*Curating Carnival*
A Talk by Claire Tancons
*March 16, 2011, 7 PM*
303 East 8th Avenue
Vancouver, Canada
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Karyn Olivier, /Grey Hope/, in SPRING, 90-min procession curated by
Claire Tancons for Gwangju Biennale 08, September 5, 2008, May 18
Democratic Square and Geumnaro, Gwangju, South Korea. Photograph by
Akiko Ota
*Western Front* is pleased to be hosting a public talk by *Claire
Tancons*. As an independent curator and scholar, Claire Tancons has been
conducting historical research and producing curatorial projects which
reframe the cultural positioning of Carnival, protest movements and
other processional traditions. As one of the curators of the 7th
Gwangju Biennale (2008), she organized /SPRING/, a 90-minute procession
inspired by the May 18, 1980 uprising in South Korea. As a guest
curator for CAPE 09, the 2nd Cape Town Biennial (2009), she organized /A
Walk Into the Night/, a 60-minute procession which was based on the Cape
Town Carnival and set against the background of the forced removals of
the apartheid era. Tancons spent 2009 traveling and conducting research
in over twenty countries in the Caribbean, South and West Africa and
Europe conducting research for a large-scale project on contemporary
carnival and processional arts for CAC New Orleans and other venues
(slated to open in 2013).
*Curating Carnival* is co-presented by Fillip
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whose forthcoming issue, Fillip 13, will feature a conversation between
Claire Tancons and Western Front exhibitions curator Jesse McKee. The
article, entitled /On Carnival and Contractual Curating/, offers a
deeper look at the theories and methodologies that Tancons uses to
produce her live exhibition projects. The public talk at Western Front
will offer a broad view of the research that Tancons has been conducting
in the past few years and also addresses a forthcoming project she is
preparing for the first iteration of the Harlem Biennial in 2012.
*Claire Tancons* has held research and curatorial positions at the
International Center of Photography where she contributed to /Only Skin
Deep. Changing Visions of the American Self / (2004), at the Walker Art
Center where she provided curatorial assistance to /How Latitudes Become
Forms: Art in a Global Age/ (2003) and the Paula Cooper Gallery where
she organized /Paul D. Miller aka DJ Spooky’s Path is Prologue: Rebirth
of a Nation/ (2004). Tancons has also organized exhibitions at
non-profit art organizations in New York such as Artists Space, /Robin
Rhode: The Score/, 2005, The Kitchen, /Ralph Lemon: The efflorescence of
Walter/, 2007 and The Rotunda Gallery, /Mas’: From Process to
Procession/, 2007, as well as in Port of Spain, Trinidad, /Lighting the
Shadow: Trinidad in and out of Light/, 2004. She has written for Nka,
Third Text and Small Axe as well as for a host of exhibition catalogues
and lectures and publishes regularly about her work on Carnival at
conferences worldwide. Tancons holds an MA in Museum Studies from the
École du Louvre in Paris, an MA in Art History from the Courtauld
Institute in London and is a former curatorial fellow of the Whitney
Museum Independent Study Program. A native of Guadeloupe, French West
Indies, Tancons currently lives and works in New Orleans.
/The Western Front gratefully acknowledges the support of the Canada
Council for the Arts, the BC Arts Council through the Government of
British Columbia, the City of Vancouver, Direct Access Gaming, our
members and volunteers. The Western Front is a member of the Pacific
Association of Artist-Run Centres (PAARC) and the Independent Media Arts
Alliance (IMAA)./
*Western Front *
303 East 8th Avenue, Vancouver, BC Canada V5T 1S1
T. +1 604 876 9343 F. +1 604 876 4099
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