[BCMA] CMA Clipping Service: Oct 1
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In this issue/Dans ce numéro:
o Agrandissement du MNBAQ: appel d'offres reporté à 2013
o Review: Joanne Tod: Invited Invasion at the Gardiner Museum
o Canadian icon back on water
o Trésors de l'art nigérian
o Pierre Dorion, le peintre des espaces ambigus
o Who's behind the Nuit Blanche apocalypse at City Hall?
o PAMA relaunches art gallery
Agrandissement du MNBAQ: appel d'offres reporté à 2013
Le Soleil Share/Partager
Le nouvel appel d'offres pour trouver le constructeur au futur pavillon du Musée national des beaux-arts du
Québec risque de ne pas être lancé avant 2013. Les architectes, ingénieurs, gestionnaires et partenaires
ont travaillé tout l'été et s'activent encore à réviser les documents pour arriver à des soumissions moins
chères que celles reçues en juin. More/LIRE PLUS
Review: Joanne Tod: Invited Invasion at the Gardiner Museum
Toronto Star Share/Partager
On an average afternoon, about the only people you're likely to run into at the Gardner Museum of
Ceramic Art are elderly women and distracted schoolchildren on a field trip; otherwise the elegant museum
is blissfully empty. The Gardner's collection consists largely of decorative plates, cups, vases, pitchers and
the like, designed by masters in 16th, 17th and 18th-century England, France, Germany and Italy.
More/LIRE PLUS
Canadian icon back on water
Chronicle Herald Share/Partager
It's simply one of those classic Canadian images: like an undulating sea of wheat, Bobby Orr airborne after
a goal, a lone polar bear against an endless backdrop of snow. Most of us have never seen the Bluenose
heeling over at a 45-degree angle, its sails billowing, the spume flying, yet its likeness is deeply imprinted
on our collective consciousness. More/LIRE PLUS
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Trésors de l'art nigérian
Le Journal de Québec Share/Partager
Le Musée de la civilisation a convaincu 26 collectionneurs privés de France de lui confier des oeuvres d'art
jamais présentées au public pour monter l'exposition Arts du Nigeria dans les collections privées
françaises. More/LIRE PLUS
Pierre Dorion, le peintre des espaces ambigus
Le Devoir Share/Partager
Pierre Dorion a, depuis les années 1980, contribué au profond renouvellement de la peinture au Québec.
Ses toiles, des vues d'intérieur et des paysages urbains progressivement épurés en des plans colorés
magnétisant, poursuivent une lancée que le Musée d'art contemporain de Montréal (MACM) se propose
maintenant de révéler pour ses affinités avec l'installation. More/LIRE PLUS
Who's behind the Nuit Blanche apocalypse at City Hall?
The Globe and Mail Share/Partager
If a visitor from another planet landed during Toronto's seventh annual Nuit Blanche, he (or she, or it) could
be forgiven for concluding our civilization is on the verge of a major meltdown. After all, what to make of
hundreds of thousands of people of all ages swarming hither and thither on foot in the dark, lining up to
gape at weird things with no useful purpose in out-of-the-way locations, eating kebabs and crepes at 5
a.m., then going home to sleep at an hour when otherwise they'd be waking up? More/LIRE PLUS
PAMA relaunches art gallery
Brampton Guardian Share/Partager
It's time to let the public see, first-hand, what $13 million dollars and a year-and-a-half of work can do to
revitalize what was once known as the Peel Heritage Complex. Rebranded as the Peel Art Gallery,
Museum and Archives (PAMA), the region's multidisciplinary hub of arts and culture relaunched the art
gallery in its first-phase opening recently. More/LIRE PLUS
CMA Clipping Service/Service de coupures de l'AMC
Richard Archibald, Information Services Coordinator, CMA, 613.567.0099 x237
Frank Humada, Director of Publishing, MultiView, 289.695.5422
Download media kit/Télécharger la trousse média
Siobhan Cole, Senior Content Editor, MultiView, 289.695.5423
Contribute news/Contribuer des nouvelles
This edition of the CMA Clipping Service was sent to jharding at museumsassn.bc.ca. To
unsubscribe, click here
Cette édition du Service des coupures de l'AMC a étéenvoyée à jharding at museumsassn.bc.ca.
Pour vous désabonner, cliquer ici.
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