[Bcma-l] Re: Direct Access Freeze: More Fuel...?
bcma-l@museumsassn.bc.ca
bcma-l@museumsassn.bc.ca
Sat, 29 Aug 2009 15:02:17 -0700
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Thoughtful reflection is in shortest supply during a crisis but, I =20
think it's the ingredient we need most now and have for some time.
The fact that the spectacle is awash in stupidities is a measure of, =20
at least in part, our failure to participate in our own culture.
I have observed, like everyone else for many years, the public =20
staying away from small museums/ heritage sites, galleries etc... in =20
droves, regardless of adequate funding or none. They stay away I've =20
assumed because, they don't like being there or would rather be =20
somewhere else. Like churches that continue to spring up without any =20
bums in their pews, new museums come along every year despite public =20
disinterest and long declining attendance. We remain apart, fishing =20
off a pier where fish won't go. I believe this condition is the =20
result of some design flaws in our original model. Ask yourself this; =20=
is there really a history wall, like the Berlin wall, that the museum =20=
community must huddle behind weeping and gnashing their impoverished =20
teeth while frantically trying to keep a broken down old machine =20
running on fumes. If the wall exists, what is it made of? Do we =20
actually need money to drag a dead civil servant designed horse a few =20=
yards further down a lonely road; a horse the civil services never =20
brought to life and are now happy to abandon to any fool dumb enough =20
to drag it along for them. Without witnesses, does the horse actually =20=
move anywhere?
Contemporary culture also belongs to us, so, why would we not =20
participate in it? Collaborations with contemporary arts and culture =20
have proven to be far more beneficial than throat slitting =20
competitions ever will. People line up for blocks all around the =20
world to see "fringe theatre" because, it's not dead boring. For two =20
weeks people will line up at Point Ellice House and enjoy a short =20
house tour before the main production gets under way. It cost us very =20=
nearly nothing; has given us some good front page press; history =20
hasn't lost anything, An average of 55 new people a night plus some =20
fringe volunteers, discover why Point Ellice House Museum is so =20
important. I tell them. They have tea. No worries. There is more =20
cultural "buzz" on any single night here than Point Ellice House has =20
generated in twenty years prior.
I have proven very clearly in the past that quality productions (non =20
amateur) of a more historic nature will also fill seats to standing =20
room only, but, poorly written scripts delivered by summer students =20
who can't act, dressed up as dead people, won't. If we recall that =20
only %15 of any population is interested in good theatre (%0 in bad) =20
and that 85 percent claim to be interested in a wide range of other =20
arts and crafts, and some of these are historical ones, we get a =20
clearer picture of our actual potential.
As only one example of many: Museums are repositories of pre-=20
industrial methods that were highly sustainable; is the spectacle not =20=
yammering endlessly about sustainability? Is the public interested in =20=
sustainability issues? Do museums profit from work shopping =20
sustainability that they should know something about? If they have a =20
popular work shop do they travel it to a hundred other venue$? Do =20
museums offer their venue to crafts or arts organizations that =20
otherwise pay for other venues. Intensive collaborations and quality =20
productions are worth some thoughtful reflection.
Today Whistler Museum collaborates with writers.... nothing bad will =20
happen. If "Pearl Jam" wanted to write a song about a museum or some =20
long dead person I doubt that would hurt anyone either.
I believe hundreds of collaborations, rather than a sporadic few, =20
will produce better results than the nunnery model has, and thus move =20=
some small museums from the margins to the middle. Call me crazy.
"Culture Vibe" can't hurt you and it certainly won't make anyone, on =20
either side of an imaginary fence, dumber.
Allen
P.E.H.
On 28-Aug-09, at 10:46 AM, bcma-l-admin@museumsassn.bc.ca wrote:
> There is a name for this sort of advocacy.
> It's called 'dumbing down'.The general reason why museums [and =20
> other institutions including intelligent radio & TV] are losing =20
> audience share is that our society is raising generations of =20
> potential spectators who have no aesthetic sense.
> Hence the appeal to the prurient, aggression, cheap excitement not =20
> based on any profound reasoning or intelligence.
> When museums have to compete to attract an audience on this level, =20
> it will be time for an honourable retreat.
> Larry Ewashen
> Doukhobor Discovery Centre
>
> 2009/8/27 <bcma-l-admin@museumsassn.bc.ca>
> Well, if we solve the first part we won't be as dependent on the =20
> second.
>
> It is a fact that people spend vast sums on art and culture all =20
> around the world everyday. Even here.
>
> - Bars, restaurants, night clubs are full; concerts are packed; =20
> music and movie sales never stop.
> - Hockey arenas pull down millions in a day; then baseball, soccer, =20=
> foot ball, basket ball etc...
> - People spend to create their personal "identities" on clothing, =20
> fashion items, cars and gadgets etc... etc... etc... spend spend =20
> spend.
>
> Culture is a living thing that people are very active in, because, =20
> it is the most exciting part of there lives. People don't have any =20
> trouble choosing a Gypsy band over a Sunday hymn sing. Are we a =20
> Sunday hymn sing?
>
> Are we are boring people away maybe? Do we charge money to bore them?
>
> I don't believe any of us are bound to the "mausoleum model" where =20
> in people file dutifully past a crops to pay their respects... only =20=
> when there is nothing more interesting going on. If museums were =20
> truly exciting, wouldn't they be bursting with people by now? =20
> Scalpers outside the gates? Line ups? Culture isn't boring, so =20
> what's up with that?
> Maybe the "culture industry" is not connected to an actual culture =20
> with more than a scattering of people in it. Should we be a culture =20=
> apart from the rest of culture? If so, why? If not, is there a path =20=
> from the outskirts to the centre of culture; or have the clever =20
> gate keepers locked themselves on the outside of the gate.
>
> Could we be asking ourselves if the self stifling "civil servant =20
> model" of history and culture developed through the 1970's was a =20
> good one to start with? Was it vibrant? Exciting? Engaging? =20
> Compelling? Did we tell the truth or was it all sterilized for =20
> public consumption? Did the novelty ware off? Did it work out? =20
> Wasn't it always a hard sell? Did any civil service anywhere ever =20
> have "the vibe" that culture is? If not, do we keep holding that =20
> model up to a disinterested public? Nothing personal; some of my =20
> best friends are civil servants but, would anyone want to go to a =20
> stag party organized by nuns? Bureaucracy is a kind of corporate =20
> culture and the only vibrant thing in corporate culture is all the =20
> different shades of beige and grey in offices. Policy can't make =20
> culture; only people can and do.
>
> Is there a rule that says we can't make a new model that isn't a =20
> hard sell?
>
> Every crowd has a silver lining and maybe we need a new model with =20
> some bump, clatter and music; maybe a lot more colour and a lot =20
> more people.
>
> A bigger pie.
>
> Allen
>
> P.s.
> Point Ellice House
> Fringe theatre: "Pretty Little Instincts" S.N.A.F.U. Production
> Warnings: Partial nudity- Free tea and cookies - Dress warmly
>
> Poster to follow
>
>
> On 25-Aug-09, at 12:09 PM, bcma-l-admin@museumsassn.bc.ca wrote:
>
>> I AGREE WITH Bill's STATEMENTS AND EXPLANATIONS - WE KNOW THAT.
>> The HARD SELL PART IS HOW DO WE INTERPRET THIS TO THE GENERAL =20
>> PUBLIC AND GOVERNMENT TO GET THE NEEDED SUPPORT to maintain our =20
>> funding so we can continue our major contribution?
>>
>> 2009/8/25 <bcma-l-admin@museumsassn.bc.ca>
>>> "The truly deserving repositories"
>>
>> Mr. Gallagher is proposing cultural Darwinism.
>>
>> Predictably, those few institutions that would score highly in =20
>> such a system will favour accreditation and those that don't would =20=
>> and should oppose being devalued by the same system.
>>
>> There isn't a need to discus the idea of accreditation as recently =20=
>> put forward by Mr. Gallagher, owing to commitments set out in our =20
>> arts and culture mandates and constitutions. None of us have a =20
>> mandate to turn art or culture in to a "survival of the fittest" =20
>> contest. We all enhance community, we don't conspire to deprive =20
>> any other community of it's necessary cultural funding.
>>
>> If funding shortage is an issue then increased funding is the =20
>> competent objective.
>>
>> Allen Patten
>>
>> Collection Manager
>> Point Ellice House Museum
>> 2616 Pleasant St. Victoria, B.C.
>> apatten@shaw.ca
>>
>> On 21-Aug-09, at 3:17 PM, bcma-l-admin@museumsassn.bc.ca wrote:
>>
>>> Putting a sharper point on my call for accreditation, I see =20
>>> essentially two kinds of museums in BC - one that should have =20
>>> high codified standards and thus be accredited accordingly, and =20
>>> the rest be allowed to set their own markers of success.
>>>
>>> The point is where should limited Provincial monies go?
>>>
>>> Do we spread them as evenly as possible across the whole spectrum =20=
>>> with the aim of letting the weakest survive in their present =20
>>> form, or is it better to focus upon a percentage in the aim of =20
>>> achieving some excellence?
>>>
>>> Depends upon what one believes is at stake, I guess.
>>>
>>> Dan Gallagher
>>> ----- Original Message -----
>>> From: bcma-l-admin@museumsassn.bc.ca
>>> To: bcma-l@museumsassn.bc.ca
>>> Sent: Thursday, August 20, 2009 6:15 PM
>>> Subject: RE: [Bcma-l] Re: Direct Access Freeze: More Fuel...?
>>>
>>> August 20, 2009
>>>
>>>
>>> Great input from you all, at least now there is a conversation.
>>>
>>>
>>> The idea of accreditation as put forward by Dan Gallagher is =20
>>> dependent upon perfect knowledge. I can honestly say that I can =20
>>> not agree with this type of accreditation structure, as it =20
>>> presupposes that there is a defining element to museums, =20
>>> collections and purposes that is shared by everyone and that =20
>>> someone has perfect knowledge of everything. It sounds like you =20
>>> have been into one more museum that is exactly the same as the =20
>>> one down the road. If I were to have carried out this type of =20
>>> review in the 1980s, I think we would have about five museums in =20
>>> the whole of Canada =96 as they all looked somewhat alike and =20
>>> presented information in somewhat similar ways. I do not think =20
>>> that accrediting in accordance with a preconceived notion of what =20=
>>> is right is a good thing. I should note that over the last 20 =20
>>> years, there has been a great diversification, even at the small =20
>>> local museum level.
>>>
>>>
>>> I have seen too many junk piles turn into restored items by =20
>>> knowledgeable people, so to think that I would sit in judgment of =20=
>>> junk piles as just being rubbish, is just =96 well - rubbish.
>>>
>>>
>>> I think that things like: constitution, mandate, public =20
>>> presence, society status, with peer reviews for groups that want =20
>>> to enter into the system, business plan (whether there is ongoing =20=
>>> community financial support or not) =96 which should then be =20
>>> balanced against needs (which could be established by peer review =20=
>>> in order to bring things up to standard). Perhaps the 150 =20
>>> widgets can tell a story, but do you need them all? Your =20
>>> mandate should inform you, but it should not be up to your peers =20
>>> to identify your mandate.
>>>
>>>
>>> The present system is also skewed towards areas that are urban. =20
>>> There are areas where there may be no one, but concerns for what =20
>>> was there could be generated and brought into the museum =20
>>> community. This reminds me of one of the stories I heard about a =20=
>>> famous archivist, who, if he didn=92t like you, did not collect =20
>>> anything related. Peer review of the entire cultural element =20
>>> should be undertaken not to see what is redundant, but to see =20
>>> what is missing and to help promote and preserve the special =20
>>> elements that form the aspects of our community.
>>>
>>>
>>>
>>> W. (Bill) G. Quackenbush,
>>>
>>> President, Wells Historical Society
>>>
>>> email: Bill.Quackenbush@barkerville.ca
>>>
>>> www.wellsmuseum.ca
>>>
>>>
>>> From: bcma-l-admin@museumsassn.bc.ca [mailto:bcma-l-=20
>>> admin@museumsassn.bc.ca]
>>> Sent: Tuesday, August 18, 2009 5:02 PM
>>> To: bcma-l@museumsassn.bc.ca
>>> Cc: Dan Gallagher
>>> Subject: Re: [Bcma-l] Re: Direct Access Freeze: More Fuel...?
>>>
>>>
>>> Again, James is getting closer to setting the stage for change.
>>>
>>>
>>> I believe its time for the BCMA elected officials to step into =20
>>> this issue and provide leadership in a multi-year project that =20
>>> aims at elevating its member institutions to a higher level of =20
>>> importance in the Public consciousness. Here's what to do:
>>>
>>> Create a candidate slate with specific goals and accountabilities;
>>> Get elected;
>>> Design a 10 year project that will use BC Gov't funds to review =20
>>> and analyse each museum or gallery that believes it is special* =20
>>> (not merely unique);
>>> Publish the findings of this ongoing project, both electronically =20=
>>> and in print;
>>> Enlist governments, foundations, and other parties to support the =20=
>>> findings, particularly those requiring long-term commitments;
>>> Continue to elect slates that will see this project to completion.
>>> The truly deserving repositories will thus be rewarded with =20
>>> recognition and financial security - perhaps as libraries are.
>>>
>>>
>>> *special' means that either BC society or our economy would =20
>>> significantly suffer a true loss of provincial history or at =20
>>> least $1,000,000 in annual income.
>>>
>>>
>>> Dan Gallagher
>>>
>>>
>>>
>>>
>>
>>
>>
>>
>> --=20
>> Larry A. Ewashen
>> Doukhobor Discovery Centre
>> 112 Heritage Way
>> Castlegar BC V1N 4M5
>> www.Doukhobor-Museum.org
>> 250-365-5327
>>
>
>
>
>
> --=20
> Larry A. Ewashen
> Doukhobor Discovery Centre
> 112 Heritage Way
> Castlegar BC V1N 4M5
> www.Doukhobor-Museum.org
> 250-365-5327
>
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV>Thoughtful reflection is in =
shortest supply during a crisis but, I think it's the ingredient we need =
most now and have for some time.</DIV><DIV>The fact that the spectacle =
is awash in stupidities is a measure of, at least in part, our failure =
to=A0participate=A0in our own culture.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I have observed, like =
everyone else for many years, the public staying away from small =
museums/ heritage sites, galleries etc... in droves, regardless =
of=A0adequate funding or none. They stay away I've assumed because, they =
don't like being there or would rather be somewhere else. Like churches =
that continue to spring up without any bums in their pews, new museums =
come along every year despite public disinterest and long declining =
attendance.=A0=A0We remain apart, fishing off a pier where fish won't =
go.=A0I believe this condition is the result of some design flaws in =
our=A0original=A0model. Ask yourself this; is there really a history =
wall, like the Berlin wall, that the museum community must huddle behind =
weeping and gnashing their impoverished teeth while=A0frantically=A0trying=
to keep a broken down old machine running on fumes. If the wall exists, =
what is it made of? Do we actually need money to drag a dead civil =
servant designed horse a few yards further down a lonely road; a horse =
the civil services never brought to life and are now happy to abandon to =
any fool dumb enough to drag it along for them. Without witnesses, does =
the horse actually move anywhere?</DIV><DIV></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Contemporary culture also =
belongs to us, so, why would we not=A0participate in =
it?=A0Collaborations=A0with contemporary arts and culture have proven to =
be far more=A0beneficial=A0than throat slitting competitions ever =
will.=A0People line up for blocks all around the world to see "fringe =
theatre" because, it's not dead boring. For two weeks people will line =
up at Point Ellice House and enjoy a short house tour before the main =
production gets under way. It cost us very nearly nothing; has given us =
some good front page press; history hasn't lost anything, An average of =
55 new people a night plus some fringe=A0volunteers, discover why Point =
Ellice House Museum is so important. I tell them. They have tea. No =
worries.=A0There is more cultural "buzz" on any single night here than =
Point Ellice House has generated in twenty years prior.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I have proven very clearly =
in the past that quality=A0productions (non=A0amateur) of a more =
historic nature will also fill seats to standing room only, but, poorly =
written=A0scripts=A0delivered by summer students who can't act, dressed =
up as dead people, won't. If we recall that only %15 of any population =
is interested in good theatre (%0 in bad) and that 85 percent claim to =
be interested in a wide range of other arts and crafts, and some of =
these are historical ones, we get a clearer picture of our actual =
potential.=A0=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>As only one example of =
many:=A0Museums are repositories of pre-industrial methods that were =
highly sustainable; is the spectacle not yammering endlessly about =
sustainability? Is the public interested in sustainability issues? Do =
museums profit from work shopping sustainability that they should know =
something about? If they have a popular work shop do they travel it to a =
hundred other venue$? Do museums offer their venue to crafts or arts =
organizations that otherwise pay for other venues. Intensive =
collaborations and quality=A0productions are worth some thoughtful =
reflection.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Today Whistler =
Museum=A0collaborates=A0with writers.... nothing bad will happen.=A0If =
"Pearl Jam" wanted to write a song about a museum or some long dead =
person I doubt that would hurt anyone either.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>I believe hundreds of =
collaborations, rather than a sporadic few, will produce better results =
than the nunnery model has, and thus move some small museums from the =
margins to the middle. Call me crazy.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>"Culture Vibe" can't hurt =
you and it certainly won't make anyone, on either side of an imaginary =
fence, dumber.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Allen</DIV><DIV>P.E.H.</DIV><=
DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On =
28-Aug-09, at 10:46 AM, <A =
href=3D"mailto:bcma-l-admin@museumsassn.bc.ca">bcma-l-admin@museumsassn.bc=
.ca</A> wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV>There is a name for this sort of advocacy.</DIV> =
<DIV>It's called 'dumbing down'.The general reason why museums [and =
other institutions including intelligent radio & TV] are losing =
audience share is that our society is raising generations of potential =
spectators who have no aesthetic sense.</DIV> <DIV>Hence the appeal to =
the prurient, aggression, cheap excitement not based on any profound =
reasoning or intelligence.</DIV> <DIV>When museums have to compete to =
attract an audience on this level, it will be time for an honourable =
retreat.</DIV> <DIV>Larry Ewashen</DIV> <DIV>Doukhobor Discovery =
Centre<BR><BR></DIV> <DIV class=3D"gmail_quote">2009/8/27 <SPAN =
dir=3D"ltr"><<A =
href=3D"mailto:bcma-l-admin@museumsassn.bc.ca">bcma-l-admin@museumsassn.bc=
.ca</A>></SPAN><BR> <BLOCKQUOTE class=3D"gmail_quote" =
style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc =
1px solid"> <DIV style=3D"WORD-WRAP: break-word">Well, if we solve the =
first part we won't be as dependent on the second. <DIV><BR></DIV> =
<DIV>It is a=A0fact that people spend vast sums on art and culture=A0all =
around the world=A0everyday. Even here.</DIV> <DIV><BR></DIV> <DIV>- =
Bars,=A0restaurants, night clubs are full; concerts are packed; music =
and movie sales never stop.</DIV> <DIV>- Hockey arenas pull down =
millions in a day; then baseball, soccer, foot ball, basket ball =
etc...</DIV> <DIV>- People spend to create their personal "identities" =
on clothing, fashion items,=A0cars and gadgets=A0etc... etc... etc... =
spend spend spend.</DIV> <DIV><BR></DIV> <DIV>Culture is a living thing =
that people are very active in, because, it is the most=A0exciting part =
of there lives. People=A0don't have any trouble=A0choosing=A0a=A0Gypsy=A0b=
and over a Sunday hymn sing. Are we a Sunday hymn sing?</DIV> =
<DIV><BR></DIV> <DIV>Are we are boring people away maybe? Do we charge =
money to bore them?</DIV> <DIV><BR></DIV> <DIV>I don't believe any of us =
are bound to the "mausoleum=A0model" where in people file=A0dutifully=A0pa=
st a crops to pay their respects... only when there is nothing more =
interesting going on.=A0If museums were truly exciting, wouldn't they be =
bursting with people by now? Scalpers outside the gates? Line ups? =
Culture isn't boring, so what's up with that?</DIV> <DIV>Maybe=A0the =
"culture industry" is not connected to an actual culture with more than =
a scattering of people in it. Should we be a culture apart from the rest =
of culture? If so, why? If not, is there a path from the outskirts to =
the centre of culture; or have the clever gate keepers locked themselves =
on the outside of the gate.</DIV> <DIV><BR></DIV> <DIV>Could we be =
asking ourselves if the self=A0stifling=A0"civil servant model" of =
history and culture developed through the 1970's was a good one to start =
with? Was it vibrant? Exciting? Engaging? Compelling?=A0Did we tell the =
truth or was it all sterilized for public consumption?=A0Did the novelty =
ware off? Did it work out?=A0 Wasn't it always a hard sell? Did any =
civil service anywhere ever have "the vibe" that culture is?=A0If not, =
do we keep holding that model up to a disinterested public? Nothing =
personal; some of my best friends are civil servants but, would anyone =
want to go to a stag party organized by nuns?=A0Bureaucracy=A0is a kind =
of=A0corporate=A0culture and the only=A0vibrant=A0thing in corporate =
culture is all the different shades of=A0beige and=A0grey in offices. =
Policy can't make culture; only people can and do.</DIV> <DIV><BR></DIV> =
<DIV>Is there a rule that says we can't make a new model that isn't a =
hard sell?</DIV> <DIV><BR></DIV> <DIV>Every crowd has a silver lining =
and maybe we need a new model with some bump, clatter and music; maybe a =
lot more colour and a lot more people.</DIV> <DIV><BR></DIV> <DIV>A =
bigger pie.</DIV> <DIV><BR></DIV> <DIV>Allen</DIV> <DIV><BR></DIV> =
<DIV>P.s.</DIV> <DIV>Point Ellice House</DIV> <DIV>Fringe theatre: =
"Pretty Little Instincts"=A0 S.N.A.F.U. Production</DIV> <DIV>Warnings: =
Partial nudity- Free tea and cookies - Dress warmly</DIV> =
<DIV><BR></DIV> <DIV>Poster to follow</DIV> <DIV> <DIV></DIV> <DIV =
class=3D"h5"> <DIV><BR></DIV><BR> <DIV> <DIV>On 25-Aug-09, at 12:09 PM, =
<A href=3D"mailto:bcma-l-admin@museumsassn.bc.ca" =
target=3D"_blank">bcma-l-admin@museumsassn.bc.ca</A> wrote:</DIV><BR> =
<BLOCKQUOTE type=3D"cite"> <DIV>I=A0AGREE WITH Bill's STATEMENTS AND =
EXPLANATIONS - WE KNOW THAT.</DIV> <DIV>The HARD SELL PART IS HOW DO WE =
INTERPRET THIS TO THE GENERAL PUBLIC AND GOVERNMENT TO GET THE NEEDED =
SUPPORT to maintain our funding so we can continue our major =
contribution?<BR><BR></DIV> <DIV class=3D"gmail_quote">2009/8/25 <SPAN =
dir=3D"ltr"><<A href=3D"mailto:bcma-l-admin@museumsassn.bc.ca" =
target=3D"_blank">bcma-l-admin@museumsassn.bc.ca</A>></SPAN><BR> =
<BLOCKQUOTE class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: =
0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"> <DIV style=3D"WORD-WRAP: =
break-word"> <BLOCKQUOTE type=3D"cite"><SPAN><FONT face=3D"Arial" =
size=3D"4"><SPAN style=3D"FONT-SIZE: 13px">"The truly deserving =
repositories"</SPAN></FONT></SPAN></BLOCKQUOTE> <BLOCKQUOTE =
type=3D"cite"><FONT face=3D"Arial" size=3D"4"><SPAN style=3D"FONT-SIZE: =
13px"></SPAN></FONT></BLOCKQUOTE> <DIV><FONT =
face=3D"Arial"><BR></FONT></DIV> <DIV>Mr. Gallagher is proposing =
cultural Darwinism.</DIV> <DIV><FONT face=3D"Arial"><BR></FONT></DIV> =
<DIV><FONT face=3D"Arial">Predictably, those few institutions that would =
score highly in such a system will favour accreditation and those that =
don't would and should oppose being devalued by the same =
system.</FONT></DIV> <DIV><BR></DIV>There isn't a need =
to=A0discus=A0the<FONT face=3D"Arial"> idea of accreditation as recently =
put forward by Mr. Gallagher,=A0</FONT>owing to commitments set out in =
our arts and culture mandates and constitutions.=A0<FONT face=3D"Arial"> =
None of us</FONT><FONT face=3D"Arial"> have a mandate to turn art or =
culture in to a "survival of the fittest" contest. We all enhance =
community, we don't conspire to deprive any other community of =
it's=A0</FONT><FONT face=3D"Arial">necessary</FONT><FONT =
face=3D"Arial">=A0cultural funding.</FONT> <DIV><FONT =
face=3D"Arial"><BR></FONT></DIV> <DIV><FONT face=3D"Arial">If funding =
shortage is an issue then increased=A0</FONT><FONT =
face=3D"Arial">funding</FONT><FONT face=3D"Arial"> is the=A0</FONT><FONT =
face=3D"Arial">competent</FONT><FONT face=3D"Arial"> =
objective.</FONT></DIV> <DIV><FONT face=3D"Arial"><BR></FONT></DIV> <DIV =
style=3D"MARGIN: 0px">Allen Patten</DIV> <DIV style=3D"MIN-HEIGHT: 14px; =
MARGIN: 0px"><BR></DIV> <DIV style=3D"MARGIN: 0px">Collection =
Manager</DIV> <DIV style=3D"MARGIN: 0px">Point Ellice House Museum</DIV> =
<DIV style=3D"MARGIN: 0px">2616 Pleasant St. Victoria, B.C.</DIV> <DIV =
style=3D"MARGIN: 0px"><A href=3D"mailto:apatten@shaw.ca" =
target=3D"_blank">apatten@shaw.ca</A></DIV> <DIV> <DIV></DIV> <DIV><BR> =
<DIV> <DIV>On 21-Aug-09, at 3:17 PM, <A =
href=3D"mailto:bcma-l-admin@museumsassn.bc.ca" =
target=3D"_blank">bcma-l-admin@museumsassn.bc.ca</A> wrote:</DIV><BR> =
<BLOCKQUOTE type=3D"cite"><SPAN style=3D"WORD-SPACING: 0px; FONT: 12px =
Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; =
WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px"> <DIV align=3D"justify"><FONT face=3D"Arial" =
size=3D"2"><SPAN style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial; =
TEXT-ALIGN: justify">Putting a sharper point on my call for =
accreditation, I see essentially two kinds of museums in BC - one that =
should have high codified standards and thus be accredited accordingly, =
and the rest be allowed to set their own markers of =
success.</SPAN></FONT></DIV> <DIV align=3D"justify"><FONT face=3D"Arial" =
size=3D"2"></FONT><SPAN style=3D"TEXT-ALIGN: justify">=A0</SPAN></DIV> =
<DIV align=3D"justify"><FONT face=3D"Arial" size=3D"2"><SPAN =
style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial; TEXT-ALIGN: justify">The =
point is where should limited Provincial monies go?</SPAN></FONT></DIV> =
<DIV align=3D"justify"><FONT face=3D"Arial" size=3D"2"></FONT><SPAN =
style=3D"TEXT-ALIGN: justify">=A0</SPAN></DIV> <DIV =
align=3D"justify"><FONT face=3D"Arial" size=3D"2"><SPAN =
style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial; TEXT-ALIGN: justify">Do we =
spread them as evenly as possible across the whole spectrum with the aim =
of letting the weakest survive in their present form, or is it better to =
focus upon a percentage in the aim of achieving some =
excellence?</SPAN></FONT></DIV> <DIV align=3D"justify"><FONT =
face=3D"Arial" size=3D"2"></FONT><SPAN style=3D"TEXT-ALIGN: =
justify">=A0</SPAN></DIV> <DIV align=3D"justify"><FONT face=3D"Arial" =
size=3D"2"><SPAN style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial; =
TEXT-ALIGN: justify">Depends upon what one believes is at stake,=A0I =
guess.</SPAN></FONT></DIV> <DIV align=3D"justify"><FONT face=3D"Arial" =
size=3D"2"></FONT><SPAN style=3D"TEXT-ALIGN: justify">=A0</SPAN></DIV> =
<DIV align=3D"justify"><FONT face=3D"Arial" size=3D"2"><SPAN =
style=3D"FONT-SIZE: 10px; FONT-FAMILY: Arial; TEXT-ALIGN: justify">Dan =
Gallagher</SPAN></FONT></DIV> <BLOCKQUOTE dir=3D"ltr" =
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> <DIV style=3D"FONT: =
13px arial"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: arial">----- =
Original Message -----</SPAN></DIV> <DIV style=3D"BACKGROUND: #e4e4e4; =
FONT: 13px arial"><B style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; =
FONT-FAMILY: arial"><SPAN style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; =
FONT-FAMILY: arial">From:</SPAN></B><SPAN style=3D"FONT-SIZE: 13px; =
FONT-FAMILY: arial"> </SPAN><A title=3D"bcma-l-admin@museumsassn.bc.ca" =
href=3D"mailto:bcma-l-admin@museumsassn.bc.ca" target=3D"_blank"><SPAN =
style=3D"FONT-SIZE: 13px; COLOR: rgb(0,0,255); FONT-FAMILY: =
arial">bcma-l-admin@museumsassn.bc.ca</SPAN></A><SPAN style=3D"FONT-SIZE: =
13px; FONT-FAMILY: arial"></SPAN></DIV> <DIV style=3D"FONT: 13px =
arial"><B style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial">To:</SPAN></B><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial"> </SPAN><A title=3D"bcma-l@museumsassn.bc.ca" =
href=3D"mailto:bcma-l@museumsassn.bc.ca" target=3D"_blank"><SPAN =
style=3D"FONT-SIZE: 13px; COLOR: rgb(0,0,255); FONT-FAMILY: =
arial">bcma-l@museumsassn.bc.ca</SPAN></A><SPAN style=3D"FONT-SIZE: =
13px; FONT-FAMILY: arial"></SPAN></DIV> <DIV style=3D"FONT: 13px =
arial"><B style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial"><SPAN style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
arial">Sent:</SPAN></B><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial"> Thursday, August 20, 2009 6:15 PM</SPAN></DIV> <DIV style=3D"FONT:=
13px arial"><B style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; =
FONT-FAMILY: arial"><SPAN style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; =
FONT-FAMILY: arial">Subject:</SPAN></B><SPAN style=3D"FONT-SIZE: 13px; =
FONT-FAMILY: arial"> RE: [Bcma-l] Re: Direct Access Freeze: More =
Fuel...?</SPAN></DIV> <DIV><BR></DIV> <DIV><P><FONT face=3D"Times New =
Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">August 20, 2009</SPAN></SPAN></FONT></P> <DIV><FONT face=3D"Times =
New Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times =
New Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV><P><FONT face=3D"Times New =
Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">Great input from you all, at least now there is a =
conversation.</SPAN></SPAN></FONT></P> <DIV><FONT face=3D"Times New =
Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV><P><FONT face=3D"Times New =
Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman">The =
idea of accreditation as put forward by Dan Gallagher is dependent upon =
perfect knowledge.=A0 I can honestly say that I can not agree with this =
type of accreditation structure, as it presupposes that there is a =
defining element to museums, collections and purposes that is shared by =
everyone and that someone has perfect knowledge of everything.=A0 It =
sounds like you have been into one more museum that is exactly the same =
as the one down the road.=A0 If I were to have carried out this type of =
review in the 1980s, I think we would have about five museums in the =
whole of </SPAN><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">Canada</SPAN><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times =
New Roman"> =96 as they all looked somewhat alike and presented =
information in somewhat similar ways.=A0 I do not think that accrediting =
in accordance with a preconceived notion of what is right is a good =
thing. =A0I should note that over the last 20 years, there has been a =
great diversification, even at the small local museum =
level.</SPAN></SPAN></FONT></P> <DIV><FONT face=3D"Times New Roman" =
size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV><P><FONT face=3D"Times New =
Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman">I =
have seen too many junk piles turn into restored items by knowledgeable =
people, so to think that I would sit in judgment of junk piles as just =
being rubbish, is just =96 well - rubbish.</SPAN></SPAN></FONT></P> =
<DIV><FONT face=3D"Times New Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: =
16px; FONT-FAMILY: Times New Roman"><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman">=A0</SPAN></SPAN></FONT><BR></DIV><P><FONT =
face=3D"Times New Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman">I think that things like:=A0 constitution, =
mandate, public presence, society status, with peer reviews for groups =
that want to enter into the system, business plan (whether there is =
ongoing community financial support or not) =96 which should then be =
balanced against needs (which could be established by peer review in =
order to bring things up to standard).=A0 Perhaps the 150 widgets can =
tell a story, but do you need them all? =A0=A0Your mandate should inform =
you, but it should not be up to your peers to identify your =
mandate.</SPAN></SPAN></FONT></P> <DIV><FONT face=3D"Times New Roman" =
size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV><P><FONT face=3D"Times New =
Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman">The =
present system is also skewed towards areas that are urban.=A0 There are =
areas where there may be no one, but concerns for what was there could =
be generated and brought into the museum community.=A0 This reminds me =
of one of the stories I heard about a famous archivist, who, if he =
didn=92t like you, did not collect anything related.=A0 Peer review of =
the entire cultural element should be undertaken not to see what is =
redundant, but to see what is missing and to help promote and preserve =
the special elements that form the aspects of our =
community.=A0</SPAN></SPAN></FONT></P> <DIV><FONT face=3D"Times New =
Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV> <DIV><FONT face=3D"Times New =
Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV> <DIV><P><FONT face=3D"Times =
New Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times =
New Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">W. (Bill) G. Quackenbush,</SPAN></SPAN></FONT></P><P><FONT =
face=3D"Times New Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman">President, Wells Historical =
Society</SPAN></SPAN></FONT></P><P><FONT face=3D"Times New Roman" =
size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">email:=A0 <A href=3D"mailto:Bill.Quackenbush@barkerville.ca" =
target=3D"_blank">Bill.Quackenbush@barkerville.ca</A></SPAN></SPAN></FONT>=
</P><P><FONT face=3D"Times New Roman" size=3D"3"><SPAN style=3D"FONT-SIZE:=
16px; FONT-FAMILY: Times New Roman"><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"><A href=3D"http://www.wellsmuseum.ca/" =
target=3D"_blank">www.wellsmuseum.ca</A></SPAN></SPAN></FONT><FONT =
face=3D"Arial" color=3D"navy" size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; =
COLOR: rgb(0,0,128); FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: 13px; =
COLOR: rgb(0,0,128); FONT-FAMILY: Arial"></SPAN></SPAN></FONT><FONT =
color=3D"navy"><SPAN style=3D"FONT-SIZE: 16px; COLOR: rgb(0,0,128); =
FONT-FAMILY: Times New Roman"></SPAN></FONT></P> </DIV> <DIV><FONT =
face=3D"Times New Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman">=A0</SPAN></SPAN></FONT><BR></DIV> <DIV> =
<DIV style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman; TEXT-ALIGN: =
center" align=3D"center"><FONT face=3D"Times New Roman" size=3D"3"><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman; TEXT-ALIGN: =
center"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman; =
TEXT-ALIGN: center"></SPAN> <HR align=3D"center" width=3D"100%" =
size=3D"2"> </SPAN></FONT></DIV><P><B style=3D"FONT-WEIGHT: bold; =
FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><FONT face=3D"Tahoma" =
size=3D"2"><SPAN style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; =
FONT-FAMILY: Tahoma"><SPAN style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; =
FONT-FAMILY: Tahoma">From:</SPAN></SPAN></FONT></B><FONT face=3D"Tahoma" =
size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Tahoma"><SPAN =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Tahoma"> <A =
href=3D"mailto:bcma-l-admin@museumsassn.bc.ca" =
target=3D"_blank">bcma-l-admin@museumsassn.bc.ca</A> [<A =
href=3D"mailto:bcma-l-admin@museumsassn.bc.ca" =
target=3D"_blank">mailto:bcma-l-admin@museumsassn.bc.ca</A>] </SPAN><BR =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Tahoma"> <B style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma"><SPAN style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma"><SPAN style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma">Sent:</SPAN></SPAN></B><SPAN =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Tahoma"> Tuesday, August 18, 2009 =
5:02 PM</SPAN><BR style=3D"FONT-SIZE: 13px; FONT-FAMILY: Tahoma"> <B =
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma"><SPAN =
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma"><SPAN =
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 13px; FONT-FAMILY: =
Tahoma">To:</SPAN></SPAN></B><SPAN style=3D"FONT-SIZE: 13px; =
FONT-FAMILY: Tahoma"> </SPAN><SPAN style=3D"FONT-SIZE: 13px; =
FONT-FAMILY: Tahoma"><A href=3D"mailto:bcma-l@museumsassn.bc.ca" =
target=3D"_blank">bcma-l@museumsassn.bc.ca</A></SPAN><BR =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Tahoma"> <B style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma"><SPAN style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma"><SPAN style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma">Cc:</SPAN></SPAN></B><SPAN =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Tahoma"> Dan Gallagher</SPAN><BR =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Tahoma"> <B style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma"><SPAN style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 13px; FONT-FAMILY: Tahoma"><SPAN style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 13px; FONT-FAMILY: =
Tahoma">Subject:</SPAN></SPAN></B><SPAN style=3D"FONT-SIZE: 13px; =
FONT-FAMILY: Tahoma"> Re: [Bcma-l] Re: Direct Access Freeze: More =
Fuel...?</SPAN></SPAN></FONT></P> </DIV> <DIV><FONT face=3D"Times New =
Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV> <DIV><P><FONT face=3D"Arial" =
size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial"><SPAN =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">Again, James is getting =
closer to setting the stage for change.</SPAN></SPAN></FONT></P></DIV> =
<DIV> <DIV><FONT face=3D"Times New Roman" size=3D"3"><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV></DIV> <DIV><P><FONT =
face=3D"Arial" size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">I believe its =
time for the BCMA </SPAN><U style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">elected =
officials</SPAN></U><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial"> =
to step into this issue and provide leadership in a multi-year project =
that aims at elevating its member institutions to a higher level of =
importance in the Public consciousness. Here's what to =
do:</SPAN></SPAN></FONT></P> </DIV> <UL type=3D"disc"> <LI =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><FONT =
face=3D"Arial" size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">Create a =
candidate slate with specific goals and =
accountabilities;</SPAN></SPAN></FONT><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"></SPAN></LI> <LI style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"><FONT face=3D"Arial" size=3D"2"><SPAN =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: =
13px; FONT-FAMILY: Arial">Get elected;</SPAN></SPAN></FONT><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"></SPAN></LI> <LI =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><FONT =
face=3D"Arial" size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">Design a 10 =
year project that will use BC Gov't funds to review and analyse each =
museum or gallery that believes it is =
special</SPAN></SPAN></FONT><STRONG style=3D"FONT-WEIGHT: bold; =
FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><B style=3D"FONT-WEIGHT: =
bold; FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><FONT face=3D"Arial" =
size=3D"4"><SPAN style=3D"FONT-WEIGHT: bold; FONT-SIZE: 18px; =
FONT-FAMILY: Arial"><SPAN style=3D"FONT-WEIGHT: bold; FONT-SIZE: 18px; =
FONT-FAMILY: Arial">*</SPAN></SPAN></FONT></B></STRONG><FONT =
face=3D"Arial" size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial"> (not merely =
unique);</SPAN></SPAN></FONT><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"></SPAN></LI> <LI style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"><FONT face=3D"Arial" size=3D"2"><SPAN =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: =
13px; FONT-FAMILY: Arial">Publish the findings of this ongoing project, =
both electronically and in print;</SPAN></SPAN></FONT><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"></SPAN></LI> <LI =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><FONT =
face=3D"Arial" size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">Enlist =
governments, foundations, and other parties to support the findings, =
particularly those requiring long-term =
commitments;</SPAN></SPAN></FONT><SPAN style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"></SPAN></LI> <LI style=3D"FONT-SIZE: 16px; =
FONT-FAMILY: Times New Roman"><FONT face=3D"Arial" size=3D"2"><SPAN =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial"><SPAN style=3D"FONT-SIZE: =
13px; FONT-FAMILY: Arial">Continue to elect slates that will see this =
project to completion.</SPAN></SPAN></FONT><SPAN style=3D"FONT-SIZE: =
16px; FONT-FAMILY: Times New Roman"></SPAN></LI> </UL> <DIV><P><FONT =
face=3D"Arial" size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">The truly =
deserving repositories will thus be rewarded with recognition and =
financial security - perhaps as libraries are.</SPAN></SPAN></FONT></P> =
</DIV> <DIV> <DIV><FONT face=3D"Times New Roman" size=3D"3"><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV></DIV> <DIV><P><STRONG =
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman"><B style=3D"FONT-WEIGHT: bold; FONT-SIZE: 16px; FONT-FAMILY: =
Times New Roman"><FONT face=3D"Arial" size=3D"4"><SPAN =
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 18px; FONT-FAMILY: Arial"><SPAN =
style=3D"FONT-WEIGHT: bold; FONT-SIZE: 18px; FONT-FAMILY: =
Arial">*</SPAN></SPAN></FONT></B></STRONG><FONT face=3D"Arial" =
size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial"><SPAN =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">special' means that either =
BC society or our economy would significantly suffer=A0a true loss of =
</SPAN><U style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial"><SPAN =
style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">provincial =
</SPAN></U><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">history =
or at least $1,000,000 in annual income.</SPAN></SPAN></FONT></P> </DIV> =
<DIV> <DIV><FONT face=3D"Times New Roman" size=3D"3"><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV></DIV> <DIV><P><FONT =
face=3D"Arial" size=3D"2"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
Arial"><SPAN style=3D"FONT-SIZE: 13px; FONT-FAMILY: Arial">Dan =
Gallagher</SPAN></SPAN></FONT></P></DIV> <DIV> <DIV><FONT face=3D"Times =
New Roman" size=3D"3"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times =
New Roman"><SPAN style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN><FONT color=3D"black"><SPAN style=3D"FONT-SIZE: 16px; =
COLOR: black; FONT-FAMILY: Times New =
Roman"></SPAN></FONT></SPAN></FONT><BR> </DIV></DIV> <BLOCKQUOTE =
style=3D"BORDER-RIGHT: medium none; PADDING-RIGHT: 0in; BORDER-TOP: =
medium none; PADDING-LEFT: 4pt; PADDING-BOTTOM: 0in; MARGIN: 5pt 0in 5pt =
3.75pt; BORDER-LEFT: black 1.5pt solid; PADDING-TOP: 0in; BORDER-BOTTOM: =
medium none"> <DIV> <DIV><FONT face=3D"Times New Roman" size=3D"3"><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New Roman"><SPAN =
style=3D"FONT-SIZE: 16px; FONT-FAMILY: Times New =
Roman">=A0</SPAN></SPAN></FONT><BR></DIV></DIV></BLOCKQUOTE></DIV> =
</BLOCKQUOTE><BR></SPAN></BLOCKQUOTE></DIV><BR></DIV></DIV></DIV></BLOCKQU=
OTE></DIV><BR><BR clear=3D"all"> <DIV></DIV><BR>-- <BR>Larry A. =
Ewashen<BR>Doukhobor Discovery Centre<BR>112 Heritage Way<BR>Castlegar =
BC V1N 4M5<BR><A href=3D"http://www.doukhobor-museum.org/" =
target=3D"_blank">www.Doukhobor-Museum.org</A><BR>250-365-5327<BR> =
<BR></BLOCKQUOTE></DIV><BR></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR><BR =
clear=3D"all"> <DIV></DIV><BR>-- <BR>Larry A. Ewashen<BR>Doukhobor =
Discovery Centre<BR>112 Heritage Way<BR>Castlegar BC V1N 4M5<BR><A =
href=3D"http://www.Doukhobor-Museum.org">www.Doukhobor-Museum.org</A><BR>2=
50-365-5327<BR><BR></BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=
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