[BCMA] CMA Clipping Service: Sep 10

Moderated BCMA subscriber listserv. bcma at lists.vvv.com
Sun Sep 9 16:24:12 PDT 2012


Here are a couple of financial warning signs for our big museums:

- item 1 below reveals the Glenbow (Calgary) ran out of superficial 
cost-cutting options and had to dramatically reduce its staff this year. If 
this becomes a trend, its worth as a museum will soon evaporate; it'll 
become merely a storehouse. As seen in the article, a former official 
identifies the dilemma such institutions have come to face: First, annual 
income from all sources (grants, sales, rentals, donations, endowments, fund 
drives) simply do not match yearly outlays, so its either run a deficit or 
make cuts, and as said here, since staff is 60% of the budget, that's where 
management now looks - the largest regular expenditure. Second, its neither 
fish nor fowl. Years ago in smaller quarters these museums subsisted on 
grants and volunteer labour. Then they grew very big in the 1970s - 90s. But 
the governments that funded their expansions and early years of operating, 
soon drew back, forcing them into a cramped twisted mold of a non-profit on 
one hand, a cost-recovery business on the other. And this model now reveals 
itself as unworkable.

- item 5 below laments the failure of the Biosphere (Montreal) to maintain 
its education programme due to Federal Gov't cuts. Blame is heaped upon the 
Conservative's anti-environmentalism stance, but surely its neither that 
crass nor simple. I believe its another case of one generation creating a 
monument that the next one does not see the same value therein, and the 
latter expects it to fend much more for itself. The Biosphere in turn cuts 
staff to meet its deficit. For now, the Quebec government, with its much 
more supportive cultural funding stance than say, Alberta, will allow for an 
accreted Federal-funded activity to be cut away, but not the mainstays as 
the Glenbow is doing. Yet what happens when Quebec hits its own deficit and 
debt wall? It looks like the Biosphere is in its own crammed twisted fiscal 
mold.

What's needed is a new outlook on these large museums. How many are needed? 
Can there be a two-tier system? A few fully functioning public emporia 
supported by scores of outlying repositories? What other models might there 
be?

Dan Gallacher



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Subject: [BCMA] CMA Clipping Service: Sep 10



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In this issue/Dans ce numéro:

o Glenbow Museum at centre of storm
o Art contemporain - Enquête sur la réception de l'art
o WAG the arts scene
o Place aux cultures d'ailleurs
o Biosphère: Cuts cloud future of nature museum
o The Pitch: Rule Britannia! at the Gardiner Museum
o Orange 2012 - Une cuvée rouge sanguine
o Vancouver Maritime Museum named as one of world's best
o Missing memorial trend



Glenbow Museum at centre of storm
Calgary Herald Share/Partager
 It might have been a mild summer for most of Calgary, but for the Glenbow 
Museum, it was storm season.
After a tough summer in which 14 employees were laid off due to a budget 
shortfall, the museum's CEO
and president Kirstin Evenden spoke to the Herald just ahead of the museum's 
annual general meeting.
More/LIRE PLUS



Art contemporain - Enquête sur la réception de l'art
Le Devoir Share/Partager
 Il est souvent dit de l'art contemporain qu'il soumet les spectateurs à des 
questionnements exigeants,
s'attirant souvent le reproche de faire prévaloir le discours au détriment 
de l'oeuvre. More/LIRE PLUS

WAG the arts scene
Winnipeg Free Press Share/Partager
 In 1912, Winnipeg peaked. The cosmopolitan and bustling young city of 
170,000 people was riding a wave
of affluence and growth that was without rival in North America. That year, 
5,328 buildings were
constructed, a boom of prosperity that continues to define the physical 
character of the city a century later.
More/LIRE PLUS

Place aux cultures d'ailleurs
Le Journal de Québec Share/Partager
 Les expositions laissent place aux cultures d'ailleurs pour la rentrée! Le 
Musée de la civilisation propose
en effet un plongeon dans les arts et créations tirés du Nigeria et de 
l'Océanie. De son côté, le Musée
national des beaux-arts expose notamment les oeuvres majeures du Moyen Âge 
de l'Europe occidentale.
More/LIRE PLUS





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Biosphère: Cuts cloud future of nature museum
Montreal Gazette Share/Partager
 Four-year-olds can join the Eel Squad; at age 6 and 7, you can become a 
Water Explorer for an afternoon
or an Urban Naturalist, combing the wilds of île-Sainte-Hélène. There's The 
Circle of Life for 8-year-olds,
focusing on the biodiversity of the wetlands. More/LIRE PLUS

The Pitch: Rule Britannia! at the Gardiner Museum
National Post Share/Partager
 After four months, the Gardiner Museum will close its Rule Britannia! 
exhibition on Sept. 16, an exhibition
featuring more than 400 works from the last 400 years of British ceramic 
design. Alexandra Montgomery,
the museum's executive director, has four reasons to wave the Union Jack 
before the show ends.
More/LIRE PLUS

Orange 2012 - Une cuvée rouge sanguine
Le Devoir Share/Partager
 La triennale Orange, l'événement d'art actuel de Saint-Hyacinthe dont la 
quatrième édition sera inaugurée
dans une semaine, est comme l'agrume qui lui donne son nom. Il faut la peler 
pour découvrir sa vraie
nature. Sous sa peau, sa chair est juteuse, savoureuse et, plus que jamais 
cette année, rouge sanguine.
More/LIRE PLUS

Vancouver Maritime Museum named as one of world's best
Straight.com Share/Partager
 Marine Insite magazine has just named Vancouver Maritime Museum as one of 
the 10 best facilities of its
kind in the world. That's a high-water mark when you consider it sails on 
the list alongside such institutions
as the San Diego Maritime Museum, Sydney Maritime Museum, and Netherlands 
National Maritime
Museum. More/LIRE PLUS








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